This season included another LFL original, Prevailing Winds. This original play, based on research and local oral histories, is about the struggle between Rubbertown industries and their surrounding communities in Louisville, KY - a struggle over the need for clean air and water conflicting with people's need for the products Rubbertown creates - and how they worked together, along with scientists and activists and politicians, to try to address these crucial environmental issues. Orlando, based on Virginia Woolf's novel, as adapted by Sarah Ruhl, was performed at Bellarmine University that March. Fully embracing the theatrical potential of Woolf’s sprawling novel, Ruhl captures the wonder, inconceivability and sheer audacity of Orlando’s epic journey, beautifully illustrating Woolf’s notions of the fluidity of gender and identity, and the great mysteries of time. In Spring, LFL presented Getting Out by multi-award-winning Louisville playwright Marsha Norman at UofL's Thrust Theater. Getting Out, Marsha Norman’s first professional play, was inspired by the playwright’s time working with juvenile offenders, and creates a stark and heartbreakingly realistic portrayal of a woman trying to start over after 8 years in prison on a murder conviction. That summer, they had the great honor of giving Robin Rice's Alice in Black and White its Off-Broadway premiere at 59E59 Theaters in New York City.